The ontoriography of music in the twenty-first century: absence and identification

Wilson, Samuel J. (2026) The ontoriography of music in the twenty-first century: absence and identification. In: Music of absence: an aesthetics of loss in the new millennium. Resonances . Edinburgh University Press, pp. 1-16. ISBN 9781399555807

Text (Wilson, S. J., The ontoriography of music in the twenty-first century: absence and identification in Music of absence: an aesthetics of loss in the new millennium, Edinburgh University Press 2026) Wilson Ontoriography Author Copy.pdf - Accepted Version Restricted to Repository staff only until 1 May 2029. Available under License Creative Commons Attribution Non-commercial No Derivatives. Download (215kB)

Abstract

‘The Ontoriography of Music in the Twenty-First Century: Absence and Identification,’ in The Music of Absence: An Aesthetics of Loss in the New Millennium, (Edinburgh University Press, in press 2025) – This chapter considers the absences that connect music, philosophy, and self-identity in the 21st century.

Item Type:	Book Section
Keywords:	absence, aesthetics, contemporary music, music philosophy, non-conceptual thinking, philosophy, societal crises, twenty-first music, psychoanalytic thinking, ontology, critical theory
Depositing User:	Karen Smith
Date Deposited:	01 Jul 2026 14:10
Last Modified:	01 Jul 2026 14:10
URI:	https://theplace.repository.guildhe.ac.uk/id/eprint/11

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